I Didn't Want Him To Become Gray

When You Are In The Middle Of A Story It Isn't A Story At All, But Only A Confusion; A Dark Roaring, A Blindness, A Wreckage Of Shattered Glass And Splintered Wood; Like A House In A Whirlwind, Or Else A Boat Crushed By The Icebergs Or Swept Over The Rapids, And All Aboard Powerless To Stop It. It's Only Afterwards That It Becomes Anything Like A Story At All. When You Are Telling It, To Yourself Or To Someone Else.

A Hot Wind Was Blowing Around My Head, The Strands Of My Hair Lifting And Swirling In It, Like Ink Spilled In Water.

I'm Not An Activist By Nature. I Am Suspicious Of Utopian Thinking And Equally Suspicious Of Its Alternate.

I Don't Think Of Poetry As A 'rational' Activity But As An Aural One. My Poems Usually Begin With Words Or Phrases Which Appeal More Because Of Their Sound Than Their Meaning, And The Movement And Phrasing Of A Poem Are Very Important To Me.

Every Ending Is Arbitrary, Because The End Is Where You Write The End. A Period, A Dot Of Punctuation, A Point Of Stasis. A Pinprick In The Paper: You Could Put Your Eye To It And See Through, To The Other Side, To The Beginning Of Something Else. Or, As Tony Says To Her Students, Time Is Not A Solid, Like Wood, But A Fluid, Like Water Or The Wind. It Doesn't Come Neatly Cut Into Even-sized Length, Into Decades And Centuries. Nevertheless, For Our Purposes We Have To Pretend It Does. The End Of Any History Is A Lie In Which We All Agree To Conspire.