I Didn't Have A Job. Employers Were

That Was Exciting To Be Able To Comment On Civil Rights. I Mean, The Civil Rights Movement That Young People Don't Know About Today, But Martin Luther King Was Considered By The Establishment Press In The Early Years Of The Sit-in Movement As A Dangerous Man, And He Was The Equivalent At That Time As Malcolm X. And He Was Told To Stop His Demonstrations; They Were Against The Law And All Of That. Now That He's Sainted And Sanctified We've Forgotten.

I've Had Enormous Luck And Enormous Pleasure In Working In Such Forms As Movies And Plays That I Loved When I Was A Kid And I Just - Because I Could Always Write Dialogue, Because I Always Had A Sense Of How People Spoke. And Because I Had A Strong Narrative Sense; Growing Up And Loving Stories, Loving Novels, I Just Seem To Know How To Tell A Story And I Read A Lot, I Went To A Lot Of Movies, I Went To A Lot Of Plays, And It Rubbed Off On Me. And That's All. It Just Rubbed Off On Me.

I Was Never Interested In The Two-party System Per Se. I Was Interested In How Authority Was Abused By Government, And How Lies Were Told, And Rewritten, To Seem To Be True. I Came Up Out Of A Tradition Of Radical Journalism.

I've Never Met A Cartoonist Who Isn't Quirky Or Weird In Some Ways.

I'm Not Sure About That Role Any Longer. The Role Used To Be To Mix Things Up And I Think To A Great Extent It Still Is, But The Quality Of The Work Of The Political Cartoon Has Been Succeeded By The Wisecrack, The Gag Cartoon, So That The Cartoonist Becomes More Of The Equivalent Of The Jay Leno Monologues, Or David Letterman Monologues.