I Did The Newton Boys And During

Editing Rooms Are Kind Of, By Definition, A Bubble Of You And The Editor And What You're Thinking. It's A Truth-telling Thing To Watch It Through Someone Else's Eyes, Is To Get Another Level Of Real With Your Material. Like, "maybe That's Not That Funny. Maybe That's Not As Interesting. Maybe That's Redundant To Something Else. Maybe We Can Cut Down." I Don't Know. It's A Brutal, Honest Process. You've Got To Be Pretty - You Can't Be Sentimental. You Have To Be. It's A Cold Process. You Can't Be Nostalgic. You Have To Make Those Tough Decisions.

The Idea Is To Remain In A State Of Constant Departure, While Always Arriving.

I've Always Liked The Minds Of Criminals, They Seem Similar To Artists.

I've Always Been Most Interested In The Politics Of Everyday Life: Your Relation To Whatever You're Doing, Or What Your Ambitions Are, Where You Live, Where You Find Yourself In The Social Hierarchy.

You Make A Film And You Can't Really Pick The Way It's Put To The Public. You Control The Content, But The Way It's Marketed, Or The Poster, Or What They're Telling The Public About The Film, It's Beyond You. Some People Don't Even See Them, Because They Think They Already Know It. That Can Be Frustrating, When Something You've Done Is Marketed In A Way You Think Is Antithetical To What It Is.