I Could Look At You Forever And

I Think What Gets A Poem Going Is An Initiating Line. Sometimes A First Line Will Occur, And It Goes Nowhere; But Other Times - And This, I Think, Is A Sense You Develop - I Can Tell That The Line Wants To Continue. If It Does, I Can Feel A Sense Of Momentum - The Poem Finds A Reason For Continuing.

Robert Frost Really Started This Whole Thing Rolling. He Was, I Believe, The First Poet Who Started Going To Colleges. Before That, Poets Didn't Give Public Readings Very Often, Certainly Not - There Was No Circuit Of Schools.

I Was Influenced By The Beats Because I Actually Just Began To Commit Adolescence Around 1955, When "howl" And Rebel Without A Cause And A Lot Of Other New Things Were Popping Up. (again I'm Trying To Give You A Finite Version Of This Career.) And Then I Came Under The Sway Of Wallace Stevens When I Was In College And Graduate School, And Basically Set As A Life Goal The Ambition Of Writing Third-rate Wallace Stevens. I Thought I Would Be Completely Content If I Was Recognized At Some Later Point In My Life As A Third-rate Wallace Stevens.

Humor, For Me, Is Really A Gate Of Departure. Its A Way Of Enticing A Reader Into A Poem So That Less Funny Things Can Take Place Later. It Really Is Not An End In Itself, But A Means To An End.

The First Line Is The Dna Of The Poem; The Rest Of The Poem Is Constructed Out Of That First Line. A Lot Of It Has To Do With Tone Because Tone Is The Key Signature For The Poem. The Basis Of Trust For A Reader Used To Be Meter And End-rhyme.