I Come Down To The Water To

A Work In Progress Quickly Becomes Feral. It Reverts To A Wild State Overnight. It Is Barely Domesticated, A Mustang On Which You One Day Fastened A Halter, But Which Now You Cannot Catch. It Is A Lion You Cage In Your Study. As The Work Grows, It Gets Harder To Control; It Is A Lion Growing In Strength. You Must Visit It Every Day And Reassert Your Mastery Over It. If You Skip A Day, You Are, Quite Rightly, Afraid To Open The Door To Its Room. You Enter Its Room With Bravura, Holding A Chair At The Thing And Shouting, "simba!

When I Was Six Or Seven Years Old, Growing Up In Pittsburgh, I Used To Take A Precious Penny Of My Own And Hide It For Someone Else To Find. I Was Greatly Excited At The Thought Of The First Lucky Passerby Who Would Receive A Gift In This Way, Regardless Of Merit, A Free Gift From The Universe. . . . I've Been Thinking About Seeing. There Are Lots Of Things To See, Unwrapped Gifts And Free Surprises. The World Is Fairly Studded And Strewn With Pennies Cast Broadside From A Generous Hand.

Landscape Consists In The Multiple, Overlapping Intricacies And Forms That Exist In A Given Space At A Moment In Time.

About Five Years Ago I Saw A Mockingbird Make A Straight Vertical Descent From The Roof Gutter Of A Four-story Building. It Was An Act As Careless And Spontaneous As The Curl Of A Stem Or The Kindling Of A Star.

It Was Less Like Seeing Than Like Being For The First Time Seen, Knocked Breathless By A Powerful Glance.