I Can't Imagine Love Without A Sexual

Method Actors Are Absolutely Terrible. They Want To Direct Themselves, And It's A Disaster.

The Script Is A Starting Point, Not A Fixed Highway. I Must Look Through The Camera To See If What I've Written On The Page Is Right Or Not. In The Script, You Describe Imagined Scenes, But It's All Suspended In Mid-air. Often, An Actor Viewed Against A Wall Or A Landscape, Or Seen Through A Window, Is Much More Eloquent Than The Lines You've Given Him. So Then You Take Out The Lines. This Happens Often To Me And I End Up Saying What I Want With A Movement Or A Gesture.

It's Only Human And Natural That An Actor Should See The Film In Terms Of His Own Part, But I, As A Director, Have To See The Film As A Whole. He Must Therefore Collaborate Selflessly, Totally.

All The Characters In My Films Are Fighting These Problems, Needing Freedom, Trying To Find A Way To Cut Themselves Loose, But Failing To Rid Themselves Of Conscience, A Sense Of Sin, The Whole Bag Of Tricks.

When Man Becomes Reconciled To Nature, When Space Becomes His True Background, These Words And Concepts Will Have Lost Their Meaning, And We Will No Longer Have To Use Them.