I Can See Myself As A Very

For Hours She Danced And Sang And Flirted And Did This Thing That's-she Did Marilyn Monroe. And Then There Was The Inevitable Drop. And When The Night Was Over And The White Wine Was Over And The Dancing Was Over, She Sat In The Corner Like A Child, With Everything Gone. I Saw Her Sitting Quietly Without Expression On Her Face, And I Walked Towards Her But I Wouldn't Photograph Her Without Her Knowledge Of It. And As I Came With The Camera, I Saw That She Was Not Saying No.

The Moment An Emotion Or Fact Is Transformed Into A Photograph It Is No Longer A Fact But An Opinion.

I Know That The Accident Of My Being A Photographer Has Made My Life Possible.

I've Worked Out Of A Series Of No's. No To Exquisite Light, No To Apparent Compositions, No To The Seduction Of Poses Or Narrative. And All These No's Force Me To The Yes. I Have A White Background. I Have The Person I'm Interested In And The Thing That Happens Between Us.

When I Was A Boy, My Family Took Great Care With Our Snapshots. We Really Planned Them. We Made Compositions. We Posed In Front Of Expensive Cars, Homes, That Werent Ours. We Borrowed Dogs. Almost Every Family Picture Taken Of Us When I Was Young Had A Different Borrowed Dog In It.