I Believe That The Way People Live

No Matter How Advanced Society Becomes, Institutionally Or Technologically, A House In Which Nature Can Be Sensed Represents For Me The Ideal Environment In Which To Live. From A Functional Viewpoint, The Courtyard Of The Rowhouse In Sumiyoshi Forces The Inhabitant To Endure The Occasional Hardships. At The Same Time, However, The Open Courtyard Is Capable Of Becoming The House's Vital Organ, Introducing The Everyday Life And Assimilating Precious Stimuli Such As Changes In Nature.

All Those Involved In The Construction Of An Architectural Design, From The Architect To The Builder, Have An Attachment To The Architecture, Although It's Difficult To Quantify The Attachment.

I Don't Look So Closely At Women's Fashion, But From The 20th Century On, People Have Had The Freedom To Express Themselves And Their Individualities, And Fashion Is One Of The Most Fundamental Ways In Which They Do This, Men And Women Are Equally Able To Express Themselves.

Without This Spirit, Modernist Architecture Cannot Fully Exist. Since There Is Often A Mismatch Between The Logic And The Spirit Of Modernism, I Use Architecture To Reconcile The Two.

I Think Architecture Becomes Interesting When It Has A Double Character, That Is, When It Is As Simple As Possible But, At The Same Time As Complex As Possible