I Am Interested In The Non-dramatic Moments

It Was A Really Interesting Time In New York In The Late 70s And Early 80s, And The Music Scene Was Really, Really Interesting Because You Didn't Have To Be A Virtuoso To Make Music, It Was More About Your Desire To Express Things.

I Love John Ashbery. He's The - Really The Poet Laureate Of English Language Poetry, Whether He's Given That Or Not, He Is To Me.

My Films Are About The Little Things That Happen Between People That Are Sometimes Far More Valuable And Insightful Than The Big Dramatic Things That Happen.

I Thought The Limits Of Control Could Be Interpreted In Two Ways: As The Limits Of One's Self-control; And As The Limits Of Allowing Other People's Control Over One's - Consciousness - Which I Kind Of Thought Was A Double Meaning That Was Appropriate.

I Wanted To Make An Indian Character Who Wasn't Either A) The Savage That Must Be Eliminated, The Force Of Nature That's Blocking The Way For Industrial Progress, Or B) The Noble Innocent That Knows All And Is Another Cliche. I Wanted Him To Be A Complicated Human Being.