I Always Wanted 'sideways' To Be Like

My Editor And I Remain Very Disciplined. It's Just Sometimes When You're Making A Film, You Get Into The Cutting Room And You See A Scene That's Slowing You Down In A Certain Section, But If You Remove That Scene Then, Emotionally Or Story-wise, Another Scene A Half-hour Later Won't Have The Same Impact. You Just Get Stuck With It.

I Think A Badly Crafted, Great Idea For A New Film With A Ton Of Spelling Mistakes Is Just 100 Times Better Than A Well-crafted Stale Script.

I Don't Feel Despair Because I Am Able To Make The Films I Want To Make, And That Gives Me Hope.

The Kindest Thing A Director Can Do Is Look With Open Eyes At Everything.

I Like Actors Who, When You See Them On Screen, You Sense A Person, Not Just An Actor.