I Always Mistrust Everything I See, Which

The Public Buys "art" - But The Word Is Drained Of Its Meaning.

It's Only Human And Natural That An Actor Should See The Film In Terms Of His Own Part, But I, As A Director, Have To See The Film As A Whole. He Must Therefore Collaborate Selflessly, Totally.

Sometimes Actors' Mistakes Give Me Ideas I Can Use, Because Mistakes Are Always Sincere, Absolutely Sincere.

After You've Learned Two Or Three Basic Rules Of Cinema Grammar, You Can Do What You Like - Including Breaking Those Rules.

When I'm Sure I Have A Story, I Call My Collaborators And We Begin To Discuss It. And We Conduct Studies Of Certain Subjects To Make Sure Of Our Terrain. Then, Finally, In The Last Month Or Two, I Write The Story.