I Abide By A Rule Concerning Reviews:

Why Are We Worn Out? Why Do We, Who Start Out So Passionate, Brave, Noble, Believing, Become Totally Bankrupt By The Age Of Thirty Or Thirty-five? Why Is It That One Is Extinguished By Consumption, Another Puts A Bullet In His Head, A Third Seeks Oblivion In Vodka, Cards, A Fourth, In Order To Stifle Fear And Anguish, Cynically Tramples Underfoot The Portrait Of His Pure, Beautiful Youth? Why Is It That, Once Fallen, We Do Not Try To Rise, And, Having Lost One Thing, We Do Not Seek Another? Why?

The Critics Suppose That It Is Easy To Write A Play. They Aren't Aware That Writing A Good Play Is Difficult And Writing A Bad One Is Twice As Hard.

If There's A Gun On The Wall In Act One, Scene One, You Must Fire The Gun By Act Three, Scene Two. If You Fire A Gun In Act Three, Scene Two, You Must See The Gun On The Wall In Act One, Scene One.

Whoever Sincerely Believes That Elevated And Distant Goals Are As Little Use To Man As A Cow, That "all Of Our Problems" Come Fromsuch Goals, Is Left To Eat, Drink, Sleep, Or, When He Gets Sick Of That, To Run Up To A Chest And Smash His Forehead On Its Corner.

Anna Petrovna (to Shabelsky): You Can't Make A Simple Joke Without An Injection Of Venom. You Are A Poisonous Man. Joking Apart, Count, You're Very Poisonous. It's Hideously Boring To Live With You. You're Always Grumpy, Complaining, You Find Everyone Bad, Good For Nothing. Tell Me Frankly, Count, Did You Ever Speak Well Of Anyone?