Howard Hughes Was This Visionary Who Was

Now More Than Ever We Need To Talk To Each Other, To Listen To Each Other And Understand How We See The World, And Cinema Is The Best Medium For Doing This.

I Just - I Kind Of See It That Way. I Find The Higher Angles Down. I Do - Look, You Can Go Back To The Staircase Shots In "third Man" Or The Staircase In "la Dolce Vita." So I Just Find That Visual Construction In A Frame.

Sam Fuller And 'shock Corridor' Can Only Be Conjured As A Mantra. 'shock Corridor' Is A Classic Work Of Art - It's Unique. It Comes From The Unique Experience Of Being Sam Fuller And Yes, There's Always That Element Of 'shock Corridor' Hovering Around The Picture, But Never Specifically. In Fact, I Didn't Even Screen It Because It's In Us. It's In Me Anyway. It's In Me. It Was A Way Of Conjuring Up Support Just By Saying The Name, 'shock Corridor,' As I Was Going To Shoot. Poor Sam [fuller]...

Mean Streets Dealt With The American Dream, According To Which Everybody Thinks They Can Get Rich Quick, And If They Can't Do It By Legal Means Then They'll Do It By Illegal Ones.

I Always Say That I've Been In A Bad Mood For Maybe 35 Years Now. I Try To Lighten It Up, But That's What Comes Out When You Get Me On Camera.