He Who Hesitates Is Not Only Lost,

It Is Photography Itself That Creates The Illusion Of Innocence. Its Ironies Of Frozen Narrative Lend To Its Subjects An Apparent Unawareness That They Will Change Or Die. It Is The Future They Are Innocent Of. Fifty Years On We Look At Them With The Godly Knowledge Of How They Turne Dout After All - Who They Married, The Date Of Their Death - With No Thought For Who Will One Day Be Holding Photographs Of Us.

It's Good To Get Your Hands Dirty A Bit And To Test How You See Things At A Given Point. And It's Very Pleasing After Writing Something Like 'atonement' Or 'on Chesil Beach,' Which Are Historical, To Get Involved In Some Plausible Re-enactment Of The Here And Now.

At The Risk Of Sounding Like Virginia Woolf, I Could Live On £700 A Year.

She Lay In The Dark And Knew Everything.

We Go On Our Hands And Knees And Crawl Our Way Towards The Truth