He (the Agent) Just Takes Ten Per

The Motion Picture Made In Hollywood, If It Is To Create Art At All, Must Do So Within Such Strangling Limitations Of Subject And Treatment That It Is A Blind Wonder It Ever Achieves Any Distinction Beyond The Purely Mechanical Slickness Of A Glass And Chromium Bathroom.

Writers Who Get Written About Become Self-conscious. They Develop A Regrettable Habit Of Looking At Themselves Through The Eyes Of Other People. They Are No Longer Alone, They Have An Investment In Critical Praise, And They Think They Must Protect It. This Leads To A Diffusion Of Effort. The Writer Watches Himself As He Works. He Grows More Subtle And He Pays For It By Loss Of Organic Dash.

Love Interest Nearly Always Weakens A Mystery Because It Introduces A Type Of Suspense That Is Antagonistic To The Detective's Struggle To Solve The Problem. It Stacks The Cards, And In Nine Cases Out Of Ten, It Eliminates At Least Two Useful Suspects. The Only Effective Love Interest Is That Which Creates A Personal Hazard For The Detective - But Which, At The Same Time, You Instinctively Feel To Be A Mere Episode. A Really Good Detective Never Gets Married.

I Guess God Made Boston On A Wet Sunday.

Hollywood Is A Showman's Paradise. But Showmen Make Nothing; They Exploit What Someone Else Has Made. The Publisher And The Play Producer Are Showmen Too; But They Exploit What Is Already Made. The Showmen Of Hollywood Control The Making - And Thereby Degrade It. For The Basic Art Of Motion Pictures Is The Screenplay; It Is Fundamental, Without It There Is Nothing. Everything Derives From The Screenplay, And Most Of That Which Derives Is An Applied Skill Which, However Adept, Is Artistically Not In The Same Class With The Creation Of A Screenplay.