He (the Agent) Just Takes Ten Per

Love Interest Nearly Always Weakens A Mystery Because It Introduces A Type Of Suspense That Is Antagonistic To The Detective's Struggle To Solve The Problem. It Stacks The Cards, And In Nine Cases Out Of Ten, It Eliminates At Least Two Useful Suspects. The Only Effective Love Interest Is That Which Creates A Personal Hazard For The Detective - But Which, At The Same Time, You Instinctively Feel To Be A Mere Episode. A Really Good Detective Never Gets Married.

A Really Good Detective Never Gets Married.

The Wise Screen Writer Is He Who Wears His Second-best Suit, Artistically Speaking, And Doesn't Take Things Too Much To Heart. He Should Have A Touch Of Cynicism, But Only A Touch. The Complete Cynic Is As Useless To Hollywood As He Is To Himself. He Should Do The Best He Can Without Straining At It. He Should Be Scrupulously Honest About His Work, But He Should Not Expect Scrupulous Honesty In Return. He Won't Get It. And When He Has Had Enough, He Should Say Goodbye With A Smile, Because For All He Knows He May Want To Go Back.

All Men Who Read Escape From Something Else Into What Lies Behind The Printed Page; The Quality Of The Dream May Be Argued, But Its Release Has Become A Functional Necessity.

I Suppose All Writers Are Crazy, But If They Are Any Good, I Believe They Have A Terrible Honesty.