He Drove His Kind Of Realism At

If People Would Just Look At The Paintings, I Don't Think They Would Have Any Trouble Enjoying Them. It's Like Looking At A Bed Of Flowers, You Don't Tear Your Hair Out Over What It Means.

When I Am In A Painting, I'm Not Aware Of What I'm Doing. It Is Only After A Sort Of 'get Acquainted' Period That I See What I Have Been About. I Have No Fears About Making Changes, Destroying The Image, Etc, Because The Painting Has A Life Of Its Own. I Try To Let It Come Through. It Is Only When I Lose Contact With The Painting That The Result Is A Mess. Otherwise There Is Pure Harmony, An Easy Give And Take, And The Painting Comes Out Well.

Today Painters Do Not Have To Go To A Subject Matter Outside Of Themselves. Most Modern Painters Work From A Different Source. They Work From Within.

With Experience It Seems To Be Possible To Control The Flow Of Paint, To A Great Extent, And I Don't Use - I Don't Use The Accident - 'cause I Deny The Accident... It's Quite Different From Working, Say, From A Still Life Where You Set Up Objects And Work Directly From Them. I Do Have A General Notion Of What I'm About And What The Results Will Be. I Approach Painting In The Same Sense As One Approaches Drawing, That Is, It's Direct.

Energy And Motion Made Visible – Memories Arrested In Spacetechnic Is The Result Of A Need New Needs Demand New Technics Total Control Denial Of The Accident States Of Order Organic Intensity Energy And Motion Made Visible Memories Arrested In Space, Human Needs And Motives Acceptance.