Galleries Began Growing In Both Number And

The Reason I Love Blogs So Much Right Now Is That I Am Seeing More Critical Voices Appear, And That's Kind Of Thrilling. I Think A Lot Of Critics In Their Forties Or Even Their Thirties Have Had Their Voice Scared Or Trained Out Of Them By The Academy. I Have Nothing Against The Academy. I Think It's Brilliant And Fantastic, But I Also Think That It's Become Almost Monolithic. The Same Way A Lot Of Art Looks The Same, A Lot Of Writing Can Sound The Same And Quotes The Same Theorists.

Any Negative Review You Write, They'll Say, "oh, You're Being So Mean." I Think The Problem With A Lot Of Criticism Is That Too Many Critics Either Write Just Description Or They Write In A Mandarin Jargon That Only A Handful Of People Can Understand, Or They Write Happy Criticis - Everything Is Good That They Write About. I Think That's Really Not Good. I Think It's Damaged A Lot Of Our Critical Voices.

Energy And Art Go Where They Will.

I Think That A Lot Of Artists Have Succeeded In Making What I Might Call "curator's Art." Everybody's Being Accepted, And I Always Want To Say, "really? That's What You've Come For? To Make Art That Looks A Lot Like Somebody Else's Art?" If I Am Thinking Of Somebody Else's Art In Front Of Your Art, That's A Problem.

John Baldessari, The 79-year-old Conceptualist, Has Spent More Than Four Decades Making Laconic, Ironic Conceptual Art-about-art, Both Good And Bad.