Form Is All We Have To Help

Theory Has Nothing To Do With A Work Of Art. Pictures Which Are Interpretable, And Which Contain A Meaning, Are Bad Pictures. A Picture Presents Itself As The Unmanageable, The Illogical, The Meaningless.

To Me, Grey Is The Welcome And Only Possible Equivalent For Indifference, Noncommitment, Absence Of Opinion, Absence Of Shape. But Grey, Like Formlessness And The Rest, Can Be Real Only As An Idea, And So All I Can Do Is Create A Colour Nuance That Means Grey But Is Not It. The Painting Is Then A Mixture Of Grey As A Fiction And Grey As A Visible, Designated Area Of Colour.

The Truth... When They Have A Similar Structure To And Are Organized In As Truthful A Way As Nature. When I Look Out Of The Window, Then Truth For Me Is The Way Nature Shows Itself In Its Various Tones, Colours And Proportions. That's A Truth And Has Its Own Correctness. This Little Slice Of Nature, And In Fact Any Given Piece Of Nature, Represents To Me An Ongoing Challenge, And Is A Model For My Paintings.

Well, I Don't Believe There Are Subjects That Can't Be Painted, But There Are A Lot Of Things That I Personally Can't Paint.

I See The Bomber Pictures As An Anti-war Statement... Which They Aren't - At All. Pictures Like That Don't Do Anything To Combat War. They Only Show One Tiny Aspect Of The Subject Of War - Maybe Only My Own Childish Feelings Of Fear And Fascination With War And With Weapons Of That Kind.