Forgetting The Extermination Is Part Of The

The Us ... Cultivates No Origin Or Mythical Authenticity; It Has No Past And No Founding Truth ... It Lives In A Perpetual Present. In The Us Everything Human Is Artificial. The Country Is Without Hope. What Is Arresting Here Is ... Both The Absence Of Architecture In The Cities And The Dizzying Absence Of Emotion And Character In The Faces And Bodies.

Laughter On American Television Has Taken The Place Of The Chorus In Greek Tragedy. It Is Unrelenting; The News, The Stock-exchange Reports, And The Weather Forecast Are About The Only Things Spared.

Power Is Only Too Happy To Make Football Bear A Diabolical Responsibility For Stupefying The Masses.

This False Distance Is Present Everywhere: In Spy Films, In Godard, In Modern Advertising, Which Uses It Continually As A Cultural Allusion. It Is Not Really Clear In The End Whether This 'cool' Smile Is The Smile Of Humour Or That Of Commercial Complicity. This Is Also The Case With Pop, And Its Smile Ultimately Encapsulates All Its Ambiguity: It Is Not The Smile Of Critical Distance, But The Smile Of Collusion

Kitschis One Of The Major Categories Of The Modern Object. Knick-knacks, Rustic Odds-and-ends, Souvenirs, Lampshades, And African Masks: The Kitsch-object Is Collectively This Whole Plethora Of "trashy," Sham Or Faked Objects, This Whole Museum Of Junk Which Proliferates Everywhere.... Kitsch Is The Equivalent To The "cliché" In Discourse.