For Me, Writing A Novel Is Like

The Animosity Between India And Pakistan Is Deeply Unfortunate And Dangerous, And It's Something I've Long Campaigned To Reduce. But Right Now, When There's Artillery Being Exchanged In Kashmir - Which Is Not For From Here, Either - And There Are 100-ish Nuclear Weapons On Each Side Of The Border, There's Never Really Been A Case Like This Where Two Nuclear Armed Countries Are Happily Shelling Each Other.

Living In A Place Like Pakistan, Very Often You Meet People Who Are Migrating Abroad. And Sometimes You'll Ask Their Parents, You Know - You Didn't Try To Stop Them? Like, Why Didn't You Say, Don't Go - I'll Miss You? Stay With Me. And, You Know, People Say, Well, It's Best For Them. They Have To Go. And Parents, You Know, Take On That Sadness Because They Know It's Better For Their Children If They Leave.

The Monolithic View That Many Americans Have Of Pakistani Culture Is As Inaccurate As The Monolithic View That Many Pakistanis Have Of American Culture.

The Ethnocultural Connotations Of The Burkini Ban Are Very Strong. It's As Absurd As Mandating That Women Have To Go Topless On The Beach. If I Were A Woman, I Definitely Would Not Want To Wear A Burkini Or A Headscarf. But It's Not About What I Want.

I'd Rather Create A Miniature Painting Than A Taj Mahal Of A Book.