Filmmaking For Me Is Always Aiming For

I Wanted People To Believe That There Could Still Be This Little Undiscovered Piece Of The World That Survives Still On Skull Island.

I Find That In The Process Of Making A Film You're Constantly Discovering Things That You Never Even Imagined Would Work At The Beginning. Actors Come Into The Film And Do Things You Never Even Imagined. Production Designers Come In, The Director Of Photography Lights It In A Way That You Never Imagined. So, It's Always Evolving, Always Exciting.

Filmmaking For Me Is Always Aiming For The Imaginary Movie And Never Achieving It.

I Think 3d At 24 Frames Is Interesting, But It's The 48 That Actually Allows 3d To Achieve The Potential That It Can Achieve, Because It's Less Eye Strain And You Have A Sharper Picture Which Creates More Of A 3-dimensional World.

[while Shooting Close-ups] You Study Real Eyes, You Study How The Light Reflects In Them, You Study The Back Of The Eye, You Study The Way Irises Reflect Emotion. You Go Into Great Scientific Detail.