Evolution Is An Obstacle Course Not A

The Basic Formulation, Or Bare-bones Mechanics, Of Natural Selection Is A Disarmingly Simple Argument, Based On Three Undeniable Facts (overproduction Of Offspring, Variation, And Heritability) And One Syllogistic Inference (natural Selection, Or The Claim That Organisms Enjoying Differential Reproductive Success Will, On Average, Be Those Variants That Are Fortuitously Better Adapted To Changing Local Environments, And That These Variants Will Then Pass Their Favored Traits To Offspring By Inheritance).

If New Species Arise Very Rapidly In Small, Peripherally Isolated Local Populations, Then The Great Expectation Of Insensibly Graded Fossil Sequences Is A Chimera. A New Species Does Not Evolve In The Area Of Its Ancestors; It Does Not Arise From The Slow Transformation Of All Its Forbears. Co-author With Niles Eldridge

Orchids Manufacture Their Intricate Devices From The Common Components Of Ordinary Flowers, Parts Usually Fitted For Very Different Functions. If God Had Designed A Beautiful Machine To Reflect His Wisdom And Power, Surely He Would Not Have Used A Collection Of Parts Generally Fashioned For Other Purposes. Orchids Were Not Made By An Ideal Engineer; They Are Jury-rigged From A Limited Set Of Available Components. Thus, They Must Have Evolved From Ordinary Flowers.

Good Scholars Struggle To Understand The World In An Integral Way (pedants Bite Off Tiny Bits And Worry Them To Death). These Visions Of Reality [...] Demand Our Respect, For They Are An Intellectual's Only Birthright. They Are Often Entirely Wrong And Always Flawed In Serious Ways, But They Must Be Understood Honorably And Not Subjected To Mayhem By The Excision Of Patches.

Iconography Becomes Even More Revealing When Processes Or Concepts, Rather Than Objects, Must Be Depicted For The Constraint Of A Definite "thing" Cedes Directly To The Imagination. How Can We Draw "evolution" Or "social Organization," Not To Mention The More Mundane "digestion" Or "self-interest," Without Portraying More Of A Mental Structure Than A Physical Reality? If We Wish To Trace The History Of Ideas, Iconography Becomes A Candid Camera Trained Upon The Scholar's Mind.