Every Monster Was A Man First.

Good Writers Define Reality; Bad Ones Merely Restate It.

I Swear, If You Existed I'd Divorce You.

In Rehearsals I Get So Completely Wrapped Up With The Reality That's Occurring On Stage That By The Time The Play Has Opened I'm Not Usually Quite As Aware Of The Distinctions Between What I'd Intended And The Result. There Are Many Ways Of Getting The Same Result.

I Know Playwrights Who Like To Kid Themselves Into Saying That Their Characters Are So Well Formed That They Just Take Over. They Determine The Structure Of The Play. By Which Is Meant, I Suspect, Only That The Unconscious Mind Has Done Its Work So Thoroughly That The Play Just Has To Be Filtered Through The Conscious Mind. But There's Work To Be Done - And Discovery To Be Made.

About Four Years Ago I Made A List, For My Own Amusement, Of The Playwrights, The Contemporary Playwrights, By Whom Critics Said I'd Been Influenced. I Listed Twenty-five. It Included Five Playwrights Whose Work I Didn't Know, So I Read These Five Playwrights And Indeed Now I Suppose I Can Say I Have Been Influenced By Them. The Problem Is That The People Who Write These Articles Find The Inevitable Similarities Of People Writing In The Same Generation, In The Same Century, And On The Same Planet, And They Put Them Together In A Group.