Every Band I Knew Or Played With

There Are Certain Records From The 80s And Early 90s That You Love Because The Songs Are Great, But You Don't Go To Them As An Example Of Great Production. Over The Last 20 Years, Myself And A Lot Of Other Musicians My Age Have Tried To Discover Things In 50s, 60s, And 70s Recording Techniques That Were Lost Or Discarded. We've All Been Trying To Crack This Code. It's Been An Important Period In The Last 15 Years, Reclaiming Some Of Those Lost Approaches To Making Records.

My Whole Generation's Mission Is To Kill The Cliche...it's One Of The Reasons A Lot Of My Generation Are Always On The Fence About Things. They're Afraid To Commit To Anything For Fear Of Seeming Like A Cliche. They're Afraid To Commit To Their Lives Because They See So Much Of The World As A Cliche.

I'm Always Looking For Older Equipment And Ways Of Recording, But You Can't Escape The Fact That It's All Going To Be Digitized And Reduced. I Do Think Music Sounds Better When It's On Tape And More Simply Recorded. I've Been Arguing With People For 10 Years About Tape Versus Digital, And I Believe Tape Is Absolutely Essential In Getting The Sound That's Conducive To The Enjoyment Of Music. I Wonder If It's Going To Go Back To That. Sometimes I Think It Has To. As Music Becomes More Computer-based, It's Lost Some Emotional Impact.

There's A Perception That If An Artist Produces Another Artist, They're Going To Imprint On Them. But I'm The Opposite. I Want To Hear That Artist; I Don't Want To Hear Me - That's The Last Thing I Want To Hear. There Are A Lot Of Technical Studio Things I've Learned Or Figured Out, And I Feel Like I Could Use Those Things To Help Other People With What They're Doing.

Most Of My Early Records Were Not Cohesive At All, Just Collections Of Demos Recorded In Different Years. 'odelay' Was The First Time I Actually Got To Go In The Studio And Record A Piece Of Music In A Continuous Linear Fashion, Although That Was Written Over A Year.