Every Angel Is Terrifying.

His Vision, From The Constantly Passing Bars, Has Grown So Weary That It Cannot Hold Anything Else. It Seems To Him There Are A Thousand Bars, And Behind The Bars, No World. As He Paces In Cramped Circles, Over And Over, The Movement Of His Powerful Soft Strides Is Like A Ritual Dance Around A Center In Which A Mighty Will Stands Paralyzed. Only At Times, The Curtain Of The Pupils Lifts, Quietly. An Image Enters In, Rushes Down Through The Tense, Arrested Muscles, Plunges Into The Heart And Is Gone.

Painting Is Something That Takes Place Among The Colors, And One Has To Leave Them Alone Completely, So That They Can Settle The Matter Among Themselves. Their Intercourse: This Is The Whole Of Painting. Whoever Meddles, Arranges, Injects His Human Deliberation, His Wit, His Advocacy, His Intellectual Agility In Any Way, Is Already Disturbing And Clouding Their Activity.

I Am So Afraid Of People's Words.they Describe So Distinctly Everything: And This They Call Dog And That They Call House, Here The Start And There The End. I Worry About Their Mockery With Words, They Know Everything, What Will Be, What Was; No Mountain Is Still Miraculous; And Their House And Yard Lead Right Up To God. I Want To Warn And Object: Let The Things Be! I Enjoy Listening To The Sound They Are Making. But You Always Touch: And They Hush And Stand Still. That's How You Kill.

May I Strike My Heart's Keys Clearly, And May None Fail Because Of Slack, Uncertain, Or Fraying Strings. May The Tears That Stream Down My Face Make Me More Radiant: May My Hidden Weeping Bloom.... How We Waste Our Afflictions!... [t]hey're Really Our Wintering Foliage, Our Dark Greens Of Meaning, One Of The Seasons Of The Clandestine Year—; Not Only A Season—: They're Site, Settlement, Shelter, Soil, Abode.

Look, We Don't Love Like Flowers With Only One Season Behind Us; When We Love, A Sap Older Than Memory Rises In Our Arms.