Every Act Is A Visual Judgement.

The Principle Of Parsimony Is Valid Esthetically In That The Artist Must Not Go Beyond What Is Needed For His Purpose.

No Longer Can We Consider What The Artist Does To Be A Self-contained Activity, Mysteriously Inspired From Above, Unrelated And Unrelatable To Other Human Activities. Instead, We Recognize The Exalted Kind Of Seeing That Leads To The Creation Of Great Art As An Outgrowth Of The Humbler And More Common Activity Of The Eyes In Everyday Life. Just As The Prosaic Search For Information Is "artistic" Because It Involves Giving And Finding Shape And Meaning, So The Artist's Conceiving Is An Instrument Of Life, A Refined Way Of Understanding Who And Where We Are.

All Perceiving Is Also Thinking, All Reasoning Is Also Intuition, All Observation Is Also Invention.

Orderliness By Itself Is Not Sufficient To Account For The Nature Of Organized Systems In General Or For Those Created By Man In Particular. Mere Orderliness Leads To Increasing Impoverishment And Finally To The Lowest Possible Level Of Structure, No Longer Clearly Distinguishable From Chaos, Which Is The Absence Of Order. A Counterprinciple Is Needed, To Which Orderliness Is Secondary. It Must Supply What Is To Be Ordered.

The Dance, Just As The Performance Of The Actor, Is Kinesthetic Art, Art Of The Muscle Sense. The Awareness Of Tension And Relaxation Within His Own Body, The Sense Of Balance That Distinguishes The Proud Stability Of The Vertical From The Risky Adventures Of Thrusting And Falling--these Are The Tools Of The Dancer.