Every Act Is A Visual Judgement.

From Building A Fire One Can Learn Something About Artistic Composition. If You Use Only Small Kindling And Large Logs, The Fire Will Quickly Eat Up The Small Pieces But Will Not Become Strong Enough To Attack The Large Ones. You Must Supply A Scale Of Sizes From The Smallest To The Largest. The Human Eye Also Will Not Make Its Way Into A Painting Or Building Unless A Continuum Of Shapes Leads From The Small To The Large, From The Large To The Small.

It Is Good To Live In A Country Where All Are Immigrants ... The Newcomer Is Simply The Latest Arrival.

Both Art And Science Are Bent On The Understanding Of The Forces That Shape Existence, And Both Call For A Dedication To What Is. Neither Of Them Can Tolerate Capricious Subjectivity Because Both Are Subject To Their Criteria Of Truth. Both Require Precision, Order, And Discipline Because No Comprehensible Statement Can Be Made Without These. Both Accept The Sensory World As What The Middle Ages Called Signatura Regrum, The Signature Of Things, But In Quite Different Ways.

No Longer Can We Consider What The Artist Does To Be A Self-contained Activity, Mysteriously Inspired From Above, Unrelated And Unrelatable To Other Human Activities. Instead, We Recognize The Exalted Kind Of Seeing That Leads To The Creation Of Great Art As An Outgrowth Of The Humbler And More Common Activity Of The Eyes In Everyday Life. Just As The Prosaic Search For Information Is "artistic" Because It Involves Giving And Finding Shape And Meaning, So The Artist's Conceiving Is An Instrument Of Life, A Refined Way Of Understanding Who And Where We Are.

But Art Not Only Exploits The Variety Of Appearances, It Also Affirms The Validity Of Individual Outlook And Thereby Admits A Further Dimension Of Variety. Since The Shapes Of Art Do Not Primarily Bear Witness To The Objective Nature Of The Things For Which They Stand, They Can Reflect Individual Interpretation And Invention.