Even In Winter An Isolated Patch Of

The Essence Of Drawing Is The Line Exploring Space.

In Contact With Materials, I Can See So Much More With My Hands Than I Can Just With My Eyes. I'm A Participant, Not A Spectator. I See Myself Both As An Object And A Material, And The Human Presence Is Really Important To The Landscapes In Which I Work.

Movement, Change, Light, Growth And Decay Are The Lifeblood Of Nature, The Energies That I I Try To Tap Through My Work. I Need The Shock Of Touch, The Resistance Of Place, Materials And Weather, The Earth As My Source. Nature Is In A State Of Change And That Change Is The Key To Understanding. I Want My Art To Be Sensitive And Alert To Changes In Material, Season And Weather. Each Work Grows, Stays, Decays. Process And Decay Are Implicit. Transience In My Work Reflects What I Find In Nature.

The Main Reason I Went To Digital Was Because I Got Time-lapse, Video, And Still Images All In One Camera. Having A Minimal Amount Of Gear Is Really Important For Someone Who Wants To Walk Around. That Allowed Me To Have This Flexibility To Document Things In Different Ways.

The Main Source Of My Income Is Through The Commissions Of The Large-scale Works And Big Sculptures, The Projects.