Especially In Music, You Wonder, Okay, Should

There's 40 Or 50 Songs That Nobody's Heard That I've Done In Between Albums. There's A Whole Evolution From Midnite Vultures To Sea Change That's Never Been Released.

Back Then, Pro Tools Only Had Four Or Eight Tracks, So We Couldn't Actually Hear All The Tracks. We Could Only Hear Eight At A Time, So If A Song Had 25 Or 30 Tracks, We Wouldn't Be Able To Hear It Until We Went Into The Studio An Put It All On Tape. The Process Was A Little Bit Backwards.

No One Should Drive A Hard Bargain With An Artist.

You Just Want To Go Back To Those 70s Albums. Even A Lot Of The 90s Indie Records Were Still Done On Tape, And You Hear The Difference.

There's A Perception That If An Artist Produces Another Artist, They're Going To Imprint On Them. But I'm The Opposite. I Want To Hear That Artist; I Don't Want To Hear Me - That's The Last Thing I Want To Hear. There Are A Lot Of Technical Studio Things I've Learned Or Figured Out, And I Feel Like I Could Use Those Things To Help Other People With What They're Doing.