Dressing Well Is An Expression Of Manners.

For Fleur De Chine, I Imagined The Romantic And Mysterious Women From Asia's Cinematic Past-from The '30s Femme Fatale In A Cheongsam And Dark Lipstick, To The'60s Hong Kong Heroine Of In The Mood For Love. I Wanted To Capture That Fascinating, Exquisite And Slightly Scandalous Femininity.

I Love New York. It's Given Me So Much As A Designer. When I Moved Here, I Wanted To Tap Into The Glamour Of The City Immediately. More Than Anywhere Else, New York Offers Itself Up - You Arrive And Get A Rush In A Flash. It's Dazzling. Everywhere You Look, There Is Decoration, From A Pair Of Jewel-encrusted Shoes In The Window In Bergdorf Goodman To The Chrysler Building. And New York Is Incredibly Democratic. Everyone Is Packed Into This Tiny Space. You Are Confronted With All Manner Of People, And I Love That.

I Love Fashion. What I Love Is The Ability To Express Yourself, To Be Able To Make A Product And Shoot An Ad Campaign That Tosses You Out Into The World And Lets You Have A Voice In Contemporary Culture, Iconography. I Felt A Little Bit Neutered Not Having That Voice.

Women Are Objectified In Our Culture. And More And More, It Takes A Great Deal Of Confidence, Especially As A Woman, To Break The Mold. You Know, You're Afraid That You're Going To Covered In A Magazine As A "fashion Don't." That's Why You See All These Girls On The Red Carpet Looking The Same.

To Me, Beauty And Sadness Are Very Closely Linked. Truly Beautiful Things Make Me Sad Because I Know They Are Going To Fade. When I See A Beautiful 20-year-old Boy Or Girl-and They Are Breathtaking-i Am Filled With A Kind Of Sadness. But Maybe They Are Beautiful Because We Know They Are Not Permanent And They Are In A Kind Of Transition.