Detail Is The Heart Of Realism, And

Art And Religion Are, Then, Two Roads By Which Men Escape From Circumstance To Ecstacy.

The Starting-point For All Systems Of Aesthetics Must Be The Personal Experience Of A Peculiar Emotion. The Objects That Provoke This Emotion We Call Works Of Art.

It Is Not By His Mixing And Choosing, But By The Shapes Of His Colors, And The Combination Of Those Shapes, That We Recognize The Colorist. Color Becomes Significant Only When It Becomes Form.

What Quality Is Shared By All Objects That Provoke Our Aesthetic Emotions? Only One Answer Seems Possible— Significant Form. In Each, Lines And Colors Combined In A Particular Way; Certain Forms And Relations Of Forms, Stir Our Aesthetic Emotions. These Relations And Combinations Of Lines And Colors, These Aesthetically Moving Forms, I Call ‘significant Form’; And ‘significant Form’ Is The One Quality Common To All Works Of Visual Art.

Let The Artist Have Just Enough To Eat, And The Tools Of This Trade: Ask Nothing Of Him. Materially Make The Life Of The Artist Sufficiently Miserable To Be Unattractive, And No-one Will Take To Art Save Those In Whom The Divine Daemon Is Absolute.