Derivative Writers Seem Versatile Because They Imitate

The More Gifted And Talkative One's Characters Are, The Greater The Chances Of Their Resembling The Author In Tone Or Tint Of Mind.

You Have To Be An Artist And A Madman, A Creature Of Infinite Melancholy, With A Bubble Of Hot Poison In Your Loins And A Super-voluptuous Flame Permanently Aglow In Your Subtle Spine (oh, How You Have To Cringe And Hide!), In Order To Discern At Once, By Ineffable Signs―the Slightly Feline Outline Of A Cheekbone, The Slenderness Of A Downy Limbs, And Other Indices Which Despair And Shame And Tears Of Tenderness Forbid Me To Tabulate―the Little Deadly Demon Among The Wholesome Children; She Stands Unrecognized By Them And Unconscious Herself Of Her Fantastic Power.

Once Upon A Time There Lived In Berlin, Germany, A Man Called Albinus. He Was Rich, Respectable, Happy; One Day He Abandoned His Wife For The Sake Of A Youthful Mistress; He Loved; Was Not Loved; And His Life Ended In Disaster. This Is The Whole Of The Story And We Might Have Left It At That Had There Not Been Profit And Pleasure In The Telling; And Although There Is Plenty Of Space On A Gravestone To Contain, Bound In Moss, The Abridged Version Of A Man's Life, Detail Is Always Welcome.

Thus, In Pornographic Novels, Action Has To Be Limited To The Copulation Of Clichés.

It Is Strange That The Tactile Sense, Which Is So Infinitely Less Precious To Men Than Sight, Becomes At Critical Moments Our Main, If Not Only, Handle To Reality.