Composing A Concert Is Like Composing A

I'm A Free Person; I Feel Terribly Free. They Could Put Me In Chains And I Still Would Be Free Because My Thoughts Would Be Mine - And That's All I Want To Have.

When I Sit In Paris In A Cafe, Surrounded By People, I Don't Sit Casually - I Go Over A Certain Sonata In My Head And Discover New Things All The Time.

I Was Born Very, Very Lazy And I Don't Always Practice Very Long. But I Must Say, In My Defense, That It Is Not So Good, In A Musical Way, To Overpractice. When You Do, The Music Seems To Come Out Of Your Pocket. If You Play With A Feeling Of 'oh, I Know This,' You Play Without That Little Drop Of Fresh Blood That Is Necessary – And The Audience Feels It.

At Every Concert I Leave A Lot To The Moment. I Must Have The Unexpected, The Unforeseen. I Want To Risk, To Dare. I Want To Be Surprised By What Comes Out. I Want To Enjoy It More Than The Audience. That Way The Music Can Bloom Anew. It's Like Making Love. The Act Is Always The Same, But Each Time It's Different.

Composing A Concert Is Like Composing A Menu.... If You Start With Light Pieces And Play A 45-minute Sonata After The Interlude, It's Like Starting Dinner With Hors D'oeuvres And Dessert And Finishing With A Châteaubriand And Vegetables.