Competitions Are What You Do As A

I Do Think The Smaller-scale Studio Works Have That Incredible Love Of Data Crunching, Whereas I Would Say The Large-scale Earthworks Tend To Be Much More Stripped-down. With The Mappings, As Connected As They Are To A Much More Analytical Idea, What's A Map? And Can I Make A Map About Time? I Think The First Time Was Hurricane Sandy, The Flood Plane; A Moment In Time, But Indelibly Marked On Any Of Us Who Were In The City. Mapping Time Is Something That I'm Really Interested In.

I Left Science, Then I Went Into Art, But I Approach Things Very Analytically. I Choose To Pursue Both Art And Architecture As Completely Separate Fields Rather Than Merging Them.

You Have To Let The Viewers Come Away With Their Own Conclusions. If You Dictate What They Should Think, You've Lost It.

I Think I Needed To Really Move Past My First Public Work As Memorialist, And Be Equally Balanced. It's A Bit Unusual, To Be Working Between The Architecture, The Art, And What I Would Say Is A Synthesis, The Memorials - They're Problem Solving, But It's Very Symbolic. You Get This Triangle; I Need To Be Balanced With Those Three. They're All Equally A Part Of Who I Am. I Love How Different They Are, And Yet They're Coming Out The Same Thing, Whatever It Is.

I Think I've Always Had An Activist Stance, Yet At The Same Time, The Other Side Of Me - And This Is Where Some People Just Don't Get It, Or They'd Prefer It If The Work Was A Lot Uglier, A Lot Louder - I Have This Personality Where I Just Want To Put Something Out That's A Fact And Then Let You Interpret It. It's Almost As If You Might Barely Notice It, You Might Walk Right By It, But You Have To Pay Attention.