Come Up And Be A Kite, On

Apart From The First Set - Which Used High-level Concert Lighting - Once You Stepped Into The Two Narrative Pieces, We Were Working With Lower-level Theatrical Lights. In Most Cases, People Were Really Respectful Of That.

For "running Up That Hill" We Had Worked With A Drum Machine [in 1985]; The Basic Rhythms Of "running Up That Hill" Happened Because The Whole Track Was Built On A Drum Machine.

When I'm Writing I've Been Playing Something For A Couple Of Hours And I'm Almost In A Trance. At Two Or Three In The Morning You Can Actually See Bits Inspiration Floating About And Grab Them.

Its So Fascinating To Think About How Each Snowflake Is Completely Individual - There Are Millions And Millions Of Them, But Each One Is So Unique.

Don't Fall For A Magic Wand, We Humans Got It All, We Perform The Miracles.