Childhood Lasts All Through Life.

Here We Are At The Very Core Of The Thesis We Wish To Defend In The Present Essay: Reverie Is Under The Sign Of The Anima. When The Reverie Is Truly Profound, The Being Who Comes To Dream Within Us Is Our Anima. For A Philosopher Who Takes His Inspiration From Phenomenology, A Reverie On Reverie Is Very Exactly A Phenomenology Of The Anima, And It Is By Coordinating Reveries On Reverie That He Hopes To Constitute A "poetics Of Reverie". In Other Words, The Poetics Of Reverie Is A Poetics Of The Anima.

Sometimes, When I Am Tired Of So Many Oscillations, I Look For Refuge In A Word Which I Begin To Love For Itself. Resting In The Heart Of Words, Seeing Clearly Into The Cell Of A Word, Feeling That The Word Is The Seed Of A Life, A Growing Dawn... The Poet Vandercammen Says All That In A Line: "a Word Can Be A Dawn And Even A Sure Shelter."

Of Course, A Psychologist Would Find It More Direct To Study The Inspired Poet. He Would Make Concrete Studies Of Inspiration In Individual Geniuses. But For All That, Would He Experience The Phenomena Of Inspiration? His Human Documentation Gathered From Inspired Poets Could Hardly Be Related, Except From The Exterior, In An Ideal Of Objective Observations. Comparison Of Inspired Poets Would Soon Make Us Lose Sight Of Inspiration.

Any Comparison Diminishes The Expressive Qualities Of The Terms Of The Comparison.

What Action Could Bodies And Substances Have If They Were Not Named In A Further Increase Of Dignity Where Common Nouns Become Proper Nouns?