Certain Drummers Drop Time, And I Like

I've Come Close To Matching The Feeling Of That Night In 1944 In Music, When I First Heard Diz And Bird, But I've Never Got There. . . . I'm Always Looking For It, Listening And Feeling For It, Though, Trying To Always Feel It In And Through The Music I Play Everyday.

If You Got Up On The Bandstand At Minton's And Couldn't Play, You Were Not Only Going To Be Embarrassed By The People Ignoring You Or Booing You, You Might Get Your Ass Kicked.

I Was Minding My Own Business When Something Says To Me, "you Ought To Blow Trumpet." I Have Just Been Trying Ever Since.

It Took Me Twenty Years Study And Practice To Work Up To What I Wanted To Play In This Performance. How Can She Expect To Listen Five Minutes And Understand It?

See, If You Put A Musician In A Place Where He Has To Do Something Different From What He Does All The Time, Then He Can Do That - But He's Got To Think Differently In Order To Do It. He's Got To Play Above What He Knows - Far Above It. I've Always Told The Musicians In My Band To Play What They Know And Then Play Above That. Because Then Anything Can Happen, And That's Where Great Art And Music Happens.