But, In Each Case, As A Filmmaker

To Me, The Most Interesting Approach To Film Noir Is Subjective. The Genre Is Really All About Not Knowing What's Going On Around You, And That Fear Of The Unknown. The Only Way To Do That Effectively Is To Really Get Into The Maze, Rather Than Look At The Maze From Above, So That's Where I Sort Of Come At It.

The Only Job That Was Ever Of Interest To Me Other Than Filmmaking Is Architecture.

The Real Truth Of That Is That Much As You Want To Believe That It's You Being On Top Of Everything, You're Actually Relying Massively On The People Around You.

I Realized That If You're Trying To Reach An Audience, Being As Subjective As Possible And Really Trying To Write From Something Genuine Is The Way To Go. Really It's Mostly From My Own Process, My Own Experience.

I Think There's A Vague Sense Out There That Movies Are Becoming More And More Unreal. I Know I've Felt It.