Being Iraqi Taught Me To Be Very

My Work First Engaged With The Early Russian Avant-garde; The Paintings Of Moholy-nagy, El Lissitzky's 'prouns' And Naum Gabo's Sculptures, But In Particular With The Work Of Kasimir Malevitch - He Was An Early Influence For Me As A Representative Of The Modern Avant-garde Intersection Between Art And Design.

Architecture Is Really About Well-being. I Think That People Want To Feel Good In A Space... On The One Hand It's About Shelter, But It's Also About Pleasure. The Intention Is To Really Carve Out Of A City Civic Spaces And The More It Is Accessible To A Much Larger Mass In Public And It's About People Enjoying That Space. That Makes Life That Much Better. If You Think About Housing, Education, Whether Schools And Hospitals, These Are All Very Interesting Projects Because In The Way You Interpret This Special Experience.

My Earliest Memory Of Architecture, I Was Perhaps 6 Or 7 Years Old, Was Of My Aunt Building A House In Mosul In The North Of Iraq. The Architect Was A Close Friend Of My Father's And He Used To Come To Our House With The Drawings And Models. I Remember Seeing The Model In Our Living Room And I Think It Triggered Something, As I Was Completely Intrigued By It.

You Really Have To Have A Goal. The Goal Posts Might Shift, But You Should Have A Goal. Know What It Is You Want To Find Out.

For A Woman To Go Out Alone Into Architecture Is Still Very, Very Hard. It's Still A Man's World.