As Soon As You Publish A Book

As With Most Of My Work, I Started From The Abstract, From Research, Building An Intellectual Model That Slowly Became Internalized When The Characters Came Alive. It's Fascinating What Happens To The Model You've So Assiduously Assembled When Characters Are Allowed To Run Rampant: Things You Thought Essential Are Broken And Other Things Are Vastly Improved.

I Had A Series Of Terrible Jobs, Whatever Would Allow Me To Write For Four Hours During The Day. During That Time I Wrote Three Novels - All Of Which Were Extraordinarily Poor. I Decided After That To Go And Get My Mfa.

I'm A Private Person, A Shy Person. Sometimes, Reading For Eleven Hours Straight Feels To Me Like The Perfect Way To Spend A Day.

Sex Makes Things Strained. There Are Lovely People In Oneida, But Everyone Was Married To Everyone Else. And You Had Fathers And Mothers Watching Their Twelve-year-old Daughters Being Inducted Into The Group Marriage By Sixty-five-year-old Men. There Are Creepy Aspects Of A Lot Of Intentional Communities When It Comes To Sex.

The Idea Of Legitimacy Is Something I Suppose I Deal With In My Fiction, And In Part It's Probably A Response To My Upbringing. When I Was Growing Up I Was The Middle Child, Pathologically Shy, In A Family With A Very Loud And Opinionated Older Brother, And I Felt As If I Never Had The Right To Speak. As A Result, I Simply Didn't Speak Very Much.