As Long As Cameras Are Around No

Painting, Sculpture And Architecture Are Finished, But The Art Habit Continues.

A Camera Is Wild In Just About Anybody's Hands, Therefore One Must Set Limits. But Cameras Have A Life Of Their Own. Cameras Care Nothing About Cults Or Isms. They Are Indifferent Mechanical Eyes, Ready To Devour Anything In Sight. They Are Lenses Of The Unlimited Reproduction.

A Work Of Art When Placed In A Gallery Loses Its Charge, And Becomes A Portable Object Or Surface Disengaged From The Outside World.

Some Artists Imagine They've Got A Hold On This Apparatus, Which In Fact Has Got A Hold Of Them. As A Result, They End Up Supporting A Cultural Prison That Is Out Of Their Control

Art's Development Should Be Dialectical And Not Metaphysical.