Art Should Never Try To Be Popular.

In Rehearsals I Get So Completely Wrapped Up With The Reality That's Occurring On Stage That By The Time The Play Has Opened I'm Not Usually Quite As Aware Of The Distinctions Between What I'd Intended And The Result. There Are Many Ways Of Getting The Same Result.

The One Living Playwright I Admire Without Any Reservation Whatsoever Is Samuel Beckett. I Have Funny Feelings About Almost All The Others.

In A Democracy You Cannot Stop Public Access To That Art That Will Most Misinform The People. You Cannot Stop People From Being Misinformed. But What You Can Do Is To Educate The People To The Point That They Will Throw The Rascals Out.

The Avant-garde Theater Is Fun; It Is Free-wheeling, Bold, Iconoclastic, And Often Wildly, Wildly Funny. If You Will Approach It With Childlike Innocence -- Putting Your Standard Responses Aside, For They Do Not Apply -- If You Will Approach It On Its Own Terms, I Think You Will Be In For A Liberating Surprise. I Think You May No Longer Be Content With Plays That You Can't Remember Halfway Down The Block.

I Find That In The Course Of The Day When I'm Writing, After Three Or Four Hours Of Intense Work, I Have A Splitting Headache, And I Have To Stop. Because The Involvement, Which Is Both Creative And Self-critical, Is So Intense That I've Got To Stop Doing It.