Art Should Be Serious, Not A Joke.

They Are Specific Places I Have Discovered Here And There When I Am On The Road To Take Photos. I Go Especially To Take Photos.

In 1981, I Think, For The Kunsthalle In Düsseldorf. Before That I Designed A Mirror Room For Kasper König's Westkunst Show, But It Was Never Built. All That Exists Is The Design - Four Mirrors For One Room.

Painting Is The Making Of An Analogy For Something Non-visual And Incomprehensible - Giving It Form And Bringing It Within Reach. And That Is Why Good Paintings Are Incomprehensible. Creating The Incomprehensible Has Absolutely Nothing To Do With Turning Out Any Old Bunkum, Because Bunkum Is Always Comprehensible.

Suddenly, I Saw It In A New Way, As A Picture That Offered Me A New View, Free Of All The Conventional Criteria I Had Always Associated With Art. It Had No Style, No Composition, No Judgment. It Freed Me From Personal Experience. For The First Time, There Was Nothing To It: It Was Pure Picture. That's Why I Wanted To Have It, To Show It - Not Use It As A Means To Painting But Use Painting As A Means To Photography.

I Don't Know What Motivated The Artist, Which Means That The Paintings Have An Intrinsic Quality. I Think Goethe Called It The 'essential Dimension,' The Thing That Makes Great Works Of Art Great.