Art Is Long, And Critics Are The

When You Call People We You Find It Easy To Be Unfair To Them, Since You Yourself Are Included In The Condemnation.

Originality" Is Everyone's Aim, And Novel Techniques Are As Much Prized As New Scientific Discoveries. [t.s.] Eliot States It With Surprising Naïveté: "it Is Exactly As Wasteful For A Poet To Do What Has Been Done Already As For A Biologist To Rediscover Mendel's Discoveries.

I Don't Need To Praise Anything So Justly Famous As Frost's Observation Of And Empathy With Everything In Nature From A Hornet To A Hillside; And He Has Observed His Own Nature, One Person's Random Or Consequential Chains Of Thoughts And Feelings And Perceptions, Quite As Well. (and This Person, In The Poems, Is Not The "alienated Artist" Cut Off From Everybody Who Isn't, Yum-yum, Another Alienated Artist; He Is Someone Like Normal People Only More So - A Normal Person In The Less Common And More Important Sense Of Normal.)

When You Begin To Read A Poem You Are Entering A Foreign Country Whose Laws And Language And Life Are A Kind Of Translation Of Your Own; But To Accept It Because Its Stews Taste Exactly Like Your Old Mother's Hash, Or To Reject It Because The Owl-headed Goddess Of Wisdom In Its Temple Is Fatter Than The Statue Of Liberty, Is An Equal Mark Of That Want Of Imagination, That Inaccessibility To Experience, Of Which Each Of Us Who Dies A Natural Death Will Die.

I Think Miss Moore Was Right To Cut "the Steeple-jack" - The Poem Seems Plainer And Clearer In Its Shortened State But She Has Cut Too Much... The Reader May Feel Like Saying, "let Her Do As She Pleases With The Poem; It's Hers, Isn't It?" No; It's Much Too Good A Poem For That, It Long Ago Became Everybody's, And We Can Protest Just As We Could If Donatello Cut Off David's Left Leg.