Art Derives A Considerable Part Of Its

The Effort Really To See And Really To Represent Is No Idle Business In Face Of The Constant Force That Makes For Muddlement. The Great Thing Is Indeed That The Muddled State Too Is One Of The Very Sharpest Of The Realities, That It Also Has Color And Form And Character, Has Often In Fact A Broad And Rich Comicality.

Kidd, Turn Off The Light To Spare My Blushes.

If This Was Love, Love Had Been Overrated.

In A Play, Certainly, The Subject Is Of More Importance Than In Any Other Work Of Art. Infelicity, Triviality, Vagueness Of Subject, May Be Outweighed In A Poem, A Novel, Or A Picture, By Charm Of Manner, By Ingenuity Of Execution; But In A Drama The Subject Is Of The Essence Of The Work-it Is The Work. If It Is Feeble, The Work Can Have No Force; If It Is Shapeless, The Work Must Be Amorphous.

It Is Indeed Immensely Picturesque. I Can Fancy Sitting All A Summer's Day Watching Its Shadows Shorten And Lengthen Again, And Drawing A Delicious Contrast Between The World's Duration And The Feeble Span Of Individual Experience. There Is Something In Stonehenge Almost Reassuring; And If You Are Disposed To Feel That Life Is Rather A Superficial Matter, And That We Soon Get To The Bottom Of Things, The Immemorial Gray Pillars May Serve To Remind You Of The Enormous Background Of Time.