And I Don't Consider Broadway The Acropolis

I Don't Know What Will Happen To Me Without You. Only You. Only You Love Me. Out Of Everyone In The World.

Broadway Remains The Closest Thing We Have To A National Theatre, The Place Where The Greatest Number Of People Can Potentially See New Work. For An American Playwright To Say It Doesn't Matter Is Simply To Capitulate To The Current Situation.

I Tend To Be Sort Of Quiet And Shy And Awkward In Social Situations.

When I Used To Teach Writing, What I Would Tell My Playwriting Students Is That While You're Writing Your Plays, You're Also Writing The Playwright. You're Developing Yourself As A Persona, As A Public Persona. It's Going To Be Partly Exposed Through The Writing Itself And Partly Created By All The Paraphernalia That Attaches Itself To Writing. But You Aren't Simply An Invisible Being Or Your Own Private Being At Work. You're Kind Of A Public Figure, As Well.

The White Cracker Who Wrote The National Anthem Knew What He Was Doing. He Set The Word "free" To A Note So High Nobody Could Reach It. That Was Deliberate.