All That Stuff With The Tabloids Is

I've Very Rarely Worked With Somebody That Had Such A Clear Idea Of What Alejandro Amenábar Wanted To Do And What He Wanted To Achieve. The Guy Is Incredibly Prepared. He Was Clearly Making A Movie For Himself And His Own Dream. I Just Tried To Be A Part Of That Dream. It's A Rare Opportunity.

I've Had A Lot Of Experience In Independent Film, And About How To Choose. You've Got To Be Very Discerning About Where You Put Your Five Bucks, And Where You Cut And What You Don't Cut.

The Script [of Regression] Wasn't The Draw For Me. It Was Largely Alejandro [amenabar] And His Way Of Talking. To Hear Him Talking About The Script Was Way More Interesting Than The Script. He Wrote It, And So, English Is His Second Language. It's An Interesting Thing. I've Had That Before. I Was Directed By Alfonso Cuarón Before, Too. It's Always Interesting When You're Being Directed By Somebody Like That. So Much Of Directing Is About Communication, And Finding The Right Words, And What It Means, And How To Convey Certain Emotions And Ideas.

When I Woke Up I Was Naked. I Have This One Oddball Idiosyncrasy: Sometimes In My Sleep I Take Off All My Clothes.

In Your Mid-twenties, The Paint Is Still Wet On Who You Are.