All Plots Tend To Move Deathward. This

Once You've Seen The Signs About The Barn, It Becomes Impossible To See The Barn.

Why Is It So Hard To Be Serious, So Easy To Be Too Serious?

How Strange It Is. We Have These Deep Terrible Lingering Fears About Ourselves And The People We Love. Yet We Walk Around, Talk To People, Eat And Drink. We Manage To Function. The Feelings Are Deep And Real. Shouldn't They Paralyze Us? How Is It We Can Survive Them, At Least For A Little While? We Drive A Car, We Teach A Class. How Is It No One Sees How Deeply Afraid We Were, Last Night, This Morning? Is It Something We All Hide From Each Other, By Mutual Consent? Or Do We Share The Same Secret Without Knowing It? Wear The Same Disguise?

Years After I'd Seen Him For The Last Time I Found Myself Thinking Of Him Unexpectedly And Often. You Know How Certain Places Grow Powerful In The Mind With Passing Time. In Those Early Morning Dreams When I Come Back To Bed After A Sleepy Pee And Fall Quickly Into The Narrow End Of The Night, There Is One Set Of Streets I Keep Returning To, One Dim Mist Of Railroad Rooms And Certain Figures Reappear, Borderline Ghosts.

Human Existence Had To Have A Deeper Source Than Our Own Dank Fluids. Dank Or Rank. There Had To Be A Force Behind It, A Principal Being Who Was And Is And Ever Shall Be.