All My Films Are All My Children.

In My Grandparents' Time, It Was Believed That Spirits Existed Everywhere - In Trees, Rivers, Insects, Wells, Anything. My Generation Does Not Believe This, But I Like The Idea That We Should All Treasure Everything Because Spirits Might Exist There, And We Should Treasure Everything Because There Is A Kind Of Life To Everything.

In The Past, Humans Hesitated When They Took Lives, Even Non-human Lives. But Society Had Changed, And They No Longer Felt That Way. As Humans Grew Stronger, I Think That We Became Quite Arrogant, Losing The Sorrow Of 'we Have No Other Choice.' I Think That In The Essence Of Human Civilization, We Have The Desire To Become Rich Without Limit, By Taking The Lives Of Other Creatures.

I Intend To Work Until The Day I Die. I Retired From Feature-length Films But Not From Animation. Self-indulgent Animation. It's Nice That I Have The Mini-theater In The Museum. Most Of The Museum Visitors Attend The Mini-theater Screenings And We've Never Had A Complaint About The Quality Of The Films. I'd Like To Continue To Make Films That Leave The Audience Satisfied, But I Also Think It's Pointless Unless I Offer Them The Kind Of Animation They Can't Get Anywhere Else. They're Fun To Do. They're Short So It's Less Stressful.

Is Someone Different At Age 18 Or 60? I Believe One Stays The Same.

Personally I Am Very Pessimistic. But When, For Instance, One Of My Staff Has A Baby You Can't Help But Bless Them For A Good Future. Because I Can't Tell That Child, 'oh, You Shouldn't Have Come Into This Life.' And Yet I Know The World Is Heading In A Bad Direction. So With Those Conflicting Thoughts In Mind, I Think About What Kind Of Films I Should Be Making.