All Creation Is In The Art Of

We Never Look At Just One Thing; We Are Always Looking At The Relation Between Things And Ourselves.

The Heart Of Paris Is Like Nothing So Much As The Unending Interior Of A House. Buildings Become Furniture, Courtyards Become Carpets And Arrases, The Streets Are Like Galleries, The Boulevards Conservatories. It Is A House, One Or Two Centuries Old, Rich, Bourgeois, Distinguished. The Only Way Of Going Out, Or Shutting The Door Behind You, Is To Leave The Centre.

All Publicity Works Upon Anxiety.

When A Painter Is Working He Is Aware Of The Means Which Are Available To Him - These Include His Materials, The Style He Inherits, The Conventions He Must Obey, His Prescribed Or Freely Chosen Subject Matter - As Constituting Both An Opportunity And A Restraint.

Whenever The Intensity Of Looking Reaches A Certain Degree, One Becomes Aware Of An Equally Intense Energy Coming Towards One Through The Appearance Of Whatever It Is One Is Scrutinizing.