All Art Constantly Aspires Towards The Condition

Beauty, Like All Other Qualities Presented To Human Experience, Is Relative; And The Definition Of It Becomes Unmeaning And Useless In Proportion To Its Abstractness. To Define Beauty Not In The Most Abstract, But In The Most Concrete Terms Possible, Not To Find A Universal Formula For It, But The Formula Which Expresses Most Adequately This Or That Special Manifestation Of It, Is The Aim Of The True Student Of Aesthetics.

In Truth, The Legitimate Contention Is, Not Of One Age Or School Of Literary Art Against Another, But Of All Successive Schools Alike, Against The Stupidity Which Is Dead To The Substance, And The Vulgarity Which Is Dead To Form.

How Shall We Pass Most Swiftly From Point To Point, And Be Present Always At The Focus Where The Greatest Number Of Vital Forces Unite In Their Purest Energy?

The Base Of All Artistic Genius Is The Power Of Conceiving Humanity In A New, Striking, Rejoicing Way, Of Putting A Happy World Ofits Own Creation In Place Of The Meaner World Of Common Days, Of Generating Around Itself An Atmosphere With A Novel Power Of Refraction, Selecting, Transforming, Recombining The Images It Transmits, According To The Choice Of The Imaginative Intellect. In Exercising This Power, Painting And Poetry Have A Choice Of Subject Almost Unlimited.

But When Reflexion Begins To Play Upon These Objects... Like Some Trick Of Magic Each Object Is Loosed Into A Group Of Impressions - Colour, Odour, Texture... And If We Continue To Dwell In Thought On This World... The Whole Scope Of Observation Is Dwarfed Into The Narrow Chamber Of The Individual Mind.